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Artist: Clare Wilkinson, Rose Consort Of Viols
Title: Mynstrelles with Straunge Sounds: The Earliest Consort Music for Viols
Year Of Release: 2015
Label: Delphian Records
Genre: Classical
Quality: flac 24bits - 96.0kHz
Total Time: 01:07:21
Total Size: 1.19 gb

Tracklist

01. And I Were A Maiden (Henry VIII's Ms. No. 101)
02. De Tous Biens Plaine A 4 (15th Century)
03. Fortuna Desperata A 4
04. Helas Madame
05. De Tous Biens Plaine
06. De Tous Biens Plaine A 3
07. Fortune Esperée
08. Fortuna Desperata A 3
09. Vita Dulcedo / Agnus Dei Ii
10. Cecus Non Iudicat De Coloribus
11. Triste España
12. Des Biens Amors A 4
13. La Martinella
14. In Te Domine Speravi
15. In Te Domine Sperabo
16. La Quercia
17. Biblis
18. Fata La Parte
19. La Spagna
20. La Mi Sola Laureola
21. Fa La Sol
22. Con Amores, La Mi Madre
23. Agnus Dei Ii
24. Adieu Mes Amours

A rapid transformation in musical tastes occurred in the years around 1500, with the relatively widespread distribution of part-music in the new medium of print – it was in this context that the consort of viols emerged. For their third recording on Delphian, the Rose Consort use a set of instruments modelled on those depicted in an Italian altarpiece dating from 1497 in Bologna. Peerless early-music mezzo Clare Wilkinson joins the consort in a sophisticated interweaving of voices that casts revealing light on the earliest music for this innovative ensemble. Rose Consort of Viols’ recent engagements have included performances at the BBC Proms Matinees at Cadogan Hall with vocal ensemble Tenebrae, at the National Gallery in London and for Semana de Musica Religiosa in Cuenca, Spain. The Consort has received awards for its research and performance of newly devised programmes, and has made a number of highly acclaimed recordings for Delphian and other labels, including most recently 'An Emerald in a Work of Gold: Music from the Dow Partbooks' (Delphian DCD34115), a disc of music by Byrd and his contemporaries in collaboration with The Marian Consort, and 'Serenissima' (DCD34149), a programme of music from Renaissance Europe performed on instruments by Richard Jones copied from the earliest surviving viol, a Venetian instrument by Francesco Linarol from c.1540.